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  The article she'd read had included some details on his personal life. She knew he'd come to the Eastern Shore as a child, taken in by Ray Quinn before Ray died in a single-car accident. Some of the story was a little nebulous. There'd been no mention of parents, and Seth had been very closed-mouthed in the interview in that area. The facts given were that Ray Quinn had been his grandfather, and on his death, Seth had been raised by Quinn's three adopted sons. And their wives as they had come along.

  Sisters, he'd said, thinking of the flowers he'd bought. Perhaps they had been for the women he considered his sisters.

  It hardly mattered to her.

  She'd been more interested in what the article had said about his work, and how his family had encouraged his early talent. How they had supported his desire to study in Europe.

  It was a fortunate child, in Dru's opinion, who had a family who loved him enough to let him go—to let him discover, to fail or succeed on his own. And, she thought, who apparently welcomed him back just as unselfishly.

  Still, it was difficult to imagine the man the Italians had dubbed il maestro giovane—the young master—settling down in St. Christopher to paint seascapes.

  Just as she assumed it was difficult for many of her acquaintances to imagine Drusilla Whitcomb Banks, young socialite, contentedly selling flowers in a small waterfront shop.

  It didn't matter to her what people thought or what they said—any more than she supposed such things mattered to Seth Quinn. She'd come here to get away from the demands and expectations, the sticky grip of family, and the unrelenting upheaval of being used as the fraying rope in the endless game of tug-of-war her parents played.

  She'd come to St. Chris for peace, the peace that she'd yearned for most of her life.

  She was finding it.

  Though her mother would be thrilled—perhaps, stubbornly, because her mother would be thrilled at the prospect of her precious daughter capturing the interest of Seth Quinn—Dru had no intention of cultivating that interest. Neither the artistic interest, nor the more elemental and frankly sexual interest she'd seen in his eyes when he'd looked at her.

  Or, if she was being honest, the frankly sexual interest she'd felt for him.

  The Quinns were, by all reports, a large, complex and unwieldy family. God knew she'd had her fill of family.

  A pity, she admitted, tapping the card on her palm before dropping it into a drawer. The young master was attractive, amusing and appealing. And any man who took the time to buy flowers for his sisters, and wanted to make sure each purchase suited the individual style of the recipient, earned major points.

  "Too bad for both of us," she murmured, and shut the drawer with a final little snap.

  HE WAS THINKING of Dru as she was thinking of him, and pondering just what angles, just what tones would work best on a portrait. He liked the idea of a three-quarter view of her face, with her head turned to the left, but her eyes looking back, out of the canvas.

  That would suit the contrast of her cool attitude and sexy chic.

  He never doubted she'd consent to pose. He had an entire arsenal of weapons to battle a model's reluctance. All he had to do was decide which one would work best on Drusilla.

  Tapping his fingers on the wheel to the outlaw beat of Aero-smith that blasted out of his stereo, Seth considered her.

  There was money in her background, he decided. Seth recognized designer cut and good fabric even if he was more interested in the form beneath the fashion. Then there was the cadence of her voice. It said high-class private school to him.

  She'd tagged James McNeill Whistler for the name of her shop. Which meant, he thought, she'd had a very tony education, or someone pounding poetry and literature into her head as Phil had done with him.

  Probably both.

  She was comfortable with her looks and didn't fluster when a man made it clear she attracted him.

  She wasn't married, and instinct told him she wasn't attached. A woman like Dru didn't relocate to tag along after a boyfriend or lover. She'd moved from Washington, started a business and run it solo because that's just the way she wanted it.

  Then he remembered just how far off the mark he'd been regarding the fictional Widow Whitcomb Banks, and decided to hedge his bets by doing a little research before approaching her again.

  Seth pulled into the parking lot of the old brick barn the Quinns had bought from Nancy Claremont when the woman's tight-fisted, tight-assed husband had keeled over dead of a heart attack while arguing with Cy Crawford over the price of a meatball sub.

  Initially they'd rented the massive building, one that had been a tobacco, warehouse in the 1700s, a packinghouse in the 1800s and a glorified storage shed for much of the 1900s.

  Then it had been a boatyard, transformed and outfitted by the brothers Quinn. For the last eight years, it had belonged to them.

  Seth looked up at the roof as he climbed out of the car. He'd helped reshingle that roof, he remembered, and had nearly broken his neck doing it.

  He'd smeared the hot fifty-fifty mix on seams, and burned his fingers. He'd learned to lap boards in the bottomless well of Ethan's patience. He'd sweated like a pig along with Cam repairing the dock. And had escaped by whatever means presented themselves every time Phil had tried to shoehorn him into learning to keep the books.

  He walked to the front, stood with his hands on his hips studying the weathered sign. BOATS BY QUINN. And noted that another name had been added to the four that had been there since the beginning.

  Aubrey Quinn.

  Even as he grinned, she shoved out of the front door.

  She had a tool belt slung at her hips and an Orioles fielder's cap low over her forehead. Her hair, the color of burnt honey, was pulled through the back loop to swing at her back.

  Her scarred and stained work boots looked like a doll's.

  She had such little feet.

  And a very big voice, he thought when she let out a roaring whoop as she charged him.

  She leaped, boosted herself with a bounce of her hands off his shoulders and wrapped her legs around his waist. The bill of her cap rapped him in the forehead when she pressed her mouth to his in a long, smacking kiss.

  "My Seth." With a loud hooting laugh, she chained her arms around his neck. "Don't go away again. Damn it, don't you dare go away again."

  "I can't. Too much happens around here when I'm gone. Tip back," he ordered, and dipped her away far enough to study her face.

  At two, she'd been a tiny princess to him. At twenty, she was an athletic, appealing handful.

  "Jeez, you got pretty," he said. "Yeah? You too."

  "Why aren't you in college?"

  "Don't start." She rolled her bright green eyes and hopped down. "I did two years, and I'd've been happier on a chain gang. This is what I want to do." She jerked a thumb toward the sign. "My name's up there to prove it."

  "You always could wrap Ethan around your finger."

  "Maybe. But I didn't have to. Dad got it, and after some initial fretting, so did Mom. I was never the student you were, Seth, and you were never the boatbuilder I am."

  "Shit. I leave you alone for a few years, and you get delusions of grandeur. If you're going to insult me, I'm not going to give you your present."

  "Where is it? What is it?" She attacked by poking her fingers in his ribs where she knew him to be the most vulnerable. "Gimme."

  "Cut it out. Okay, okay. Man, you don't change."

  "Why mess with perfection? Hand over the loot and nobody gets hurt."

  "It's in the car." He pointed toward the lot and had the satisfaction of seeing her mouth drop open.

  "A Jag? Oh baby." She darted over the stubble of lawn to the lot to run her fingers reverently over the shining silver hood. "Cam's going to cry when he sees this. He's just going to break down and cry. Let me have the keys so I can test her out."

  "Sure, when we're slurping on Sno Kones in hell."

  "Don't be mean. You can come with me. We'll buzz u
p to Crawford's and get some…" She trailed off as he got the long white box out of the trunk. She blinked at the box, blinked at him before her eyes went soft and dewy.

  "You bought me flowers. You got me a girl present. Oh, let me see! What kind are they?" She pulled a work knife out of her belt, sliced the ribbon, then yanked up the lid. "Sunflowers. Look how happy they are."

  "Reminded me of you."

  "I really love you." She stared hard at the flowers. "I've been so mad at you for leaving." When her voice broke, he gave her an awkward pat on the shoulder. "I'm not going to cry," she muttered and sucked it in. "What am I, a sissy?"

  "Never."

  "Okay, well, anyway, you're back." She turned to hug him again. "I really love the flowers."

  "Good." He slapped a hand on the one that was trying to sneak into his pocket. "You're not getting the keys. I've got to take off anyway. I've got flowers for Grace. I want to swing by and see her on my way home."

  "She's not there. This is her afternoon for running errands, then she'll pick Deke up from school and drop him off for his piano lesson and so on and so on. I don't know how she does it all. I'll take them to her," Aubrey added. "Flowers will take some of the sting out of missing you today."

  "Tell her I'll try to get by tomorrow, otherwise I'll see her Sunday." He carted the box from his trunk to the snappy little blue pickup.

  Aubrey laid her flowers in the cab with her mother's. "You've got some time now. Let's go get Cam and show off your car. I tell you, he's going to break down and sob like a baby. I can't wait."

  "You've got a mean streak, Aub." Seth slung his arm around her shoulders. "I like that about you. Now, tell me what you know about the flower lady. Drusilla."

  "Aha." Aubrey leered up at him as they walked toward the building. "So that's the way the garden grows."

  "Might."

  "Tell you what. Meet me at Shiney's after dinner. Say about eight. Buy me a drink and I'll spill everything I know."

  "You're underage."

  "Yeah, like I've never sipped a beer before," she retorted. "A soft drink, Daddy. And remember, I'll be legal in less than six months."

  "Until then, when I'm buying, you drink Coke." He tipped down the bill of her cap, then dragged open the door to the noise of power tools.

  CAM DIDN'T break down and weep, Seth thought later, but he had drooled a little. Nearly genuflected. Right before, Seth mused as he parked in front of Shiney's Pub, Cam—being bigger and meaner than Aubrey—snagged the keys and peeled off to take it for a spin.

  Then, of course, they spent a very satisfying hour standing around admiring the engine.

  Seth glanced at the pickup beside his car. One thing about

  Aubrey, she was always prompt.

  He opened the door to Shiney's and felt yet one more home coming. Another constant of St. Chris, he thought. Shiney's Pub would always look as if it needed to be hosed down, the waitresses would always be leggy, and it would offer the very worst live bands to be found in the entire state of Maryland.

  While the lead singer massacred Barenaked Ladies, Seth scanned the tables and bar for a little blonde in a fielder's cap.

  His eyes actually passed over her, then arrowed back.

  She was indeed at the bar, urbane and curvy in unrelieved black, her burnt-honey hair spiraling down her back as she carried on a heated conversation with a guy who looked like Joe College.

  Mouth grim, body poised for a confrontation, Seth headed over to show College Boy just what happened when a guy hit on his sister.

  "You're full of it." Aubrey's voice snapped like a whip and had Seth's mouth moving into a snarl. "You are so absolutely full of it. The pitching rotation is solid, the infield's got good gloves. The bats are coming around. By the All-Star Game, the Birds will be playing better than five-hundred ball."

  "They won't see five hundred all season," her opponent shot back. "And they're going to be digging another level down in the basement by the All-Star Game."

  "Bet." Aubrey dug a twenty out of her pocket, slapped it on the bar.

  And Seth sighed. She might've looked like a tasty morsel, but nobody nibbled on his Aubrey.

  "Seth." Spotting him, Aubrey reached out, hooked his arm and yanked him to the bar. "Sam Jacoby," she said with a nod toward the man sitting beside her. "Thinks because he plays a little softball he knows something about the Bigs."

  "Heard a lot about you." Sam held out a hand. "From this sentimental slob here who thinks the Orioles have a shot at climbing their pitiful way up to mediocre this season."

  Seth shook hands. "If you want to commit suicide, Sam, get a gun. It's got to be less painful than inciting this one to peel every inch of skin slowly off your body with a putty knife."

  "I like to live dangerously," he said and slid off the stool. "Take a seat, I was holding it for you. Gotta split. See you around, Aub."

  "You're going to owe me twenty bucks in July," she called out, then shifted her attention to Seth. "Sam's a nice enough guy, except for the fatal flaw that encourages him to root for the Mariners."

  "I thought he was hitting on you."

  "Sam?" Aubrey gazed back toward the tables with a smug and female look in her eye that made Seth want to squirm. "Sure he was. I'm holding him in reserve. I'm sort of seeing Will McLean right now."

  "Will?" Seth nearly choked. "Will McLean?" The idea of Aubrey and one of his boyhood pals together—that way—had Seth signaling the bartender. "I really need a beer. Rolling Rock."

  "Not that we get to see each other that often." Knowing she was turning the screw, Aubrey continued gleefully. "He's an intern at Saint Chris General. Rotations at the hospital are a bitch. But when we do manage the time, it's worth it."

  "Shut up. He's too old for you."

  "I've always gone for older men." Deliberately, she pinched his cheek. "Cutie pie. Plus there's only, like, five years' difference. Still, if you want to talk about my love life—"

  "I don't." Seth reached for the bottle the bartender set in front of him, drank deep. "I really don't."

  "Okay, enough about me then, let's talk about you. How many languages did you score in when you were plundering Europe?"

  "Now you sound like Kevin." And it wasn't nearly as comfortable a topic to explore with Aubrey. "I wasn't on a sexual marathon. I was working."

  "Some chicks really fall for the artistic type. Maybe your flower lady's one of them, and you'll get lucky."

  "Obviously you've been hanging around with my brothers too much. Turned you into a gutter brain. Just tell me what you know about her?"

  •

  "Okay." She grabbed a bowl of pretzels off the bar and began to munch. "So, she first showed up about a year ago. Spent a week hanging around. Checking out retail space," she said with a nod. "I got that from Doug Motts. Remember Dougie—roly-poly little kid? Couple years behind you in school."

  "Vaguely."

  "Anyway, he lost the baby fat. He's working at Shore Realtors now. According to Doug, she knew just what she was looking for, and told them to contact her in DC. when and if anything that came close opened up. Now, Doug…" She pointed toward her empty glass when the bartender swung by. "He'd pretty much just started at the Realtor's and was hoping to hook this one. So he poked around some, trying to dig up information on his prospective client. She'd told him she'd visited Saint Chris a couple times when she was a kid, so that gave Doug his starting point."

  "Ma Crawford," Seth said with a laugh.

  You got it. What Ma Crawford doesn't know ain't worth knowing. And the woman's got a memory like a herd of elephants. She recalled the Whitcomb Bankses. Name like that, who wouldn't?

  But they stuck out more because she remembered Mrs. WB from when she was a girl visiting here with her family. Her really seriously kick-your-butt-to-Tuesday rich family. Whitcomb Technologies. As in we make everything. As in Fortune Five Hundred. As in Senator James P. Whitcomb, the gentleman from Maryland."

  "Ah. Those Whitcombs."

  "You
bet. The senator, who would be the flower lady's grandfather, had an affection for the Eastern Shore. And his daughter, the current Mrs. WB, married Proctor Banks—what kind of name is Proctor, anyway?—of Banks and Shelby Communication. We're talking mega family dough with this combo. Like a fricking empire."

  "And young, nubile and extremely wealthy Drusilla rents a storefront in Saint Chris and sells flowers."

  "Buys a building in Saint Chris," Aubrey corrected. "She bought the place, prime retail space for our little kingdom. A few months after Doug had the good fortune to be manning the desk at Shore Realtors when she walked in, that place went on the market. Previous owners live in PA, rented it to various merchants who had their ups and downs there. Remember the New Age shop—rocks, crystals, ritual candles and meditation tapes?"

  "Yeah. Guy who ran it had a tattoo of a dragon on the back of his right hand."

  "That place lasted longer than anybody figured it would, but when the lease came up for renewal last year, it went bye-bye. Doug, smelling commission, gives the young WB a call to tell her a rental just opened up on Market, and she makes him salivate when she asks if the owners are interested in selling. When they were, and a deal was struck, he sang the 'Hallelujah Chorus.' Then she makes him the happiest man in Saint Chris when she tells him to find her a house, too. She comes down, takes a look at the three he shows her, takes a liking to this ramshackle old Victorian on Oyster Inlet. Prime real estate again," Aubrey added. "No flies on flower lady."

  "That old blue house?" Seth asked. "Looked like a half-eaten gingerbread house? She bought that?"

  "Lock and stock." Aubrey nodded as she crunched pretzels. "Guy bought it about three years ago, snazzed it up, wanted to turn it."

  "Nothing much around there but marsh grass and thickets." But it rose over a curve of the flatland river, he remembered. That tobacco-colored water that could gleam like amber when the sun beamed through the oak and gum trees.

  "Your girl likes her privacy," Aubrey told him. "Keeps to herself. Courteous and helpful to her customers, polite, even friendly, but carefully so. She blows cool."

  "She's new here." God knew he understood what it was like to find yourself in a place, one that had just exactly what you wanted, and not be sure if you'd find your slot.

  "She's an outlander." Aubrey jerked a shoulder in a typical Quinn shrug. "She'll be new here for the next twenty years."

  "She could probably use a friend."

  "Looking to make new friends, Seth? Somebody to go chicken necking with?"

  He gestured for another beer, then leaned in until his nose bumped hers. "Maybe. Is that what you and Will do in your spare time?"

  "We skip the chicken, and just neck. But I'll take you out in the pram if you've got a hankering. I'll captain. It's been so long since you manned a sail, you'd probably capsize her."

  "Like hell. We'll go out tomorrow."

  "That's a date. And speaking of dates, your new friend just came in."

  "Who?" But he knew, even before he swiveled around on the stool. Before he scanned the evening crowd and spotted her.

  She looked sublimely out of place among the watermen with their wind-scored faces and scarred hands and the university students with their trendy shoes and baggy shirts.

  Her suit was still crisp and perfect, her face an oval of alabaster in the dull light.

  She had to know heads turned as she walked in, he thought. Women always knew. But she moved with purpose and easy grace around the stained tables and rickety chairs.

  "Classy" was Aubrey's one-word summation.

  "Oh yeah." Seth dug out money for the drinks, tossed it on the bar. "I'm ditching you, kid."

  Aubrey widened her eyes in exaggerated shock. "Color me amazed."

  "Tomorrow," he said, then leaned down to give her a quick kiss before